Archive for June, 2010

  • Newsweek Magazine Metaphors and Gladiators in Northern England!

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    This morning, as I read David Carr’s article, “How to Save Newsweek,” in the New York Times, I realized that Carr’s 8 steps to salvation are equally applicable to anyone striving to achieve a unique brand and strategically position themselves in today’s job market – which is in just as much trouble as the legacy, print-on-paper media world.

    I highly recommend you read the entire article, but three of Carr’s steps which I find especially relevant are:

    “1. IT’S A MAGAZINE

    Yes, it’s a brand. But mainly, it’s a magazine.

    Whatever revenue Newsweek attracts comes overwhelmingly from the printed product. So while many savants have suggested it is as easy as dumping the print brand and its associated costs, the Web footprint of something called “Newsweek” is small and represents a tiny fraction of the revenue. The name may become more meaningful on the Web, but to make Newsweek work, someone has to figure out how to put out a magazine.

    4. DO THE SMALL STUFF WELL

    When editorial types rave about Adam Moss’s version of New York magazine, part of what they are reacting to is not the big booming features, but what the magazine does at either end — the provocative small display type, playful infographics, and bits of service journalism smartly and elegantly delivered.

    By comparison, Newsweek’s vocabulary draws on a previous century, reflecting none of the Web’s influence on print design. There is no texture: no big and little on the same page, no funny bits mixed with issues of civic moment, no jewel boxes of unexpected finds, nothing that doesn’t fit on a grid. Weeklies are murder to produce, but ragged and risky is better than rote.

    8. THROW A HAIL MARY

    …In magazines, time is both your enemy and your friend. Yes, the 24/7 cycle will run you over, but the opportunity to take a breath can sometimes provide a much needed respite. A section of look-backs could be called “Wait a Minute,” and could aggressively use the second look to deconstruct events we thought we already knew. (Was the blown call in Detroit a huge pratfall for Major League Baseball, or perhaps one of its crowning moments?)”

    Carr has mixed his metaphors here but we’ll let that slide…

    Meanwhile, the three parallel job-hunting related strategies I mentioned would be:

    RE # 1, “You’re a Magazine” – Focus on what you are and promote those assets. Don’t try to be a Chief Financial Officer or even an accountant, if you cannot balance your checkbook without the aid of three calculators. It’s up to you to identify your authentic strengths and sell them; don’t leave it up to hoping the hiring manager “will see” the strengths you bring to the table. They do not have the time for second guessing, nor do they want to take the risk. Show them what you can do!

    RE # 4, “Do the Small Stuff Well” – Details, details, details. Do the small things well and they will hold the big picture together. All good storytellers know that the heart of a story is in the details: each and every word, image, every character counts. It’s your story, your brand, your career and your life. No one is better equipped to capture the essential details than you.

    RE # 8, “Throw a Hail Mary” – Don’t be afraid to step back and take a well-calculated risk. If you think strategically, have researched the top challenges facing the organization for which you’d like to work, and have identified what you think are a few good solutions – don’t be afraid to speak up. If they are way off the mark, the worse that could happen is that you may not get the job. But is that so bad? Perhaps it is not a good fit and better to find out before you’ve been in the position a month or two. On the other hand, your ideas may be perceived as brilliant and you land the job. Now you have to be sure you can deliver on what you’ve promised. It’s those blasted details again!

    Last but not least I mentioned Gladiators. I had one of those “park in my driveway moments” today as I listed to an NPR story about the possible discovery in northern England, of  ”the world’s only well-preserved Roman gladiator cemetery.” A key clue was that the teeth marks found on some of the remains could only have been made by a lion or tiger (in northern England?). Now that’s what I call a telling detail!

    Popularity: unranked [?]

  • “Head to Head: iPhone and iPad Square Off”

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    Just a short snippet to share a great example of the value of infographics which we waxed on about in yesterday’s post: “A Picture: How Logos and Information Graphics Tell Your Story or Convey Your Brand in Much Less Than a Thousand Words.”

    This morning’s infographic by Henry D’Andrea aimed at those trying to decide which device – an iPhone or an iPad – is the best all-around deal for them will find this “Head to Head: iPhone and iPad Square Off” post from thetechupdate.com illuminating.

    Courtesy of: http://www.dailymail.co.uk

    The Bard continues to be in awe…

    Popularity: unranked [?]

  • Picture It: How Logos and Information Graphics Tell Your Story or Convey Your Brand in Much Less Than a Thousand Words?

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    Courtesy of: http://www.how-to-draw-funny-cartoons.com

    In our digital world where vital “Tweets” can be no longer than 140 characters – not words but characters – visual information is even more critical than it is in traditional storytelling.

    Budding entrepreneurs will find some great tips and – of course – pictures in today’s “Quack” (aka Post) by Rebecca Hume at Duck Call, that zippy, smart, brandraising blog.

    Bulletin from the Duck Pond is:

    “Good infographics can illustrate ideas that might take pages to explain in writing. They function as a visual shorthand, clarifying relationships with a degree of immediacy and impact text just can’t offer. Effective graphics can be created for many types of information, but they are best suited for showing comparisons, structures, and processes.

    Figuring out what type of infographic is right for a project typically requires three steps:

    1. Know the story you want to tell.
    2. Find the information that best tells the story.
    3. Determine the form that most clearly displays that information.

    Just as with writing, information design must have a thesis statement…”

    Continue reading until you reach the other side of this duck pond because there’s lots of good data here.

    Meanwhile, should you wish to pare those words down further, perhaps even eliminate them altogether and create a successful brand logo, check out this one-page snapshot of all the elements to consider. It was “Tweeted” to you today from the SE Toolbelt, that fabulous and free open-content community resource center, created to help social entrepreneurs plan, start, manage, and grow successful social enterprises.

    Shakespeare would have been proud of your literary gambols…

    Courtesy of: http://www.dailymail.co.uk

    Popularity: unranked [?]

  • Senior Entrepreneurs: Innovative, Foolhardy or Desperate?

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    As more and more research details that older Americans are starting businesses at a higher-than-average rate, it’s important to study the why and how of this phenomena.

    Anita Campbell, Editor and Founder of Small Business Trends, LLC, posits the question, StartUps Are Graying, But Is It a Good Financial Move?

    Campbell writes, “The face of the typical startup entrepreneur these days is a bit wrinkly, sporting some gray hair, and having the wisdom that comes with age.”

    She refers to a Business Week article by Scott Shane where he says, “according to recent research, these days those 55 and over are more likely than young people to be starting businesses.” And Shane, in turn, cites research by Dane Stangler of the Ewing Marion Kauffman Foundation that showed in every year from 1996 to 2007, Americans aged 55 to 64 had a higher rate of entrepreneurial activity than those aged 20 to 34.

    In the name of realistic scrutiny, I just Tweeted an Op-Ed piece in today’s New York Times, Entrepreneur or Unemployed?, by Robert B. Reich, former secretary of labor, now professor of public policy at the University of California, Berkeley,

    Reich captures the under-reported truth behind this entrepreneurial joy, saying, too often the catalyst for this entrepreneurial surge is, “In a word, unemployment. Booted off company payrolls, millions of Americans had no choice but to try selling themselves. Another term for ‘entrepreneur’ is ‘self-employed.’”

    Reich continues:

    “According to an analysis of Bureau of Labor Statistics by an outplacement firm, Challenger Gray & Christmas, the number of self-employed Americans rose to 8.9 million last December, up from 8.7 million a year earlier. Self-employment among those 55 to 64 rose to nearly two million, 5 percent higher than in 2008. Among people over 65, the ranks of the self-employed swelled 29 percent. Many older people who had expected to retire discovered their 401(k)’s had shrunk and their homes were worthless. So they became ‘entrepreneurs,’ too.

    Maybe this is a good thing. A deep recession can be the mother of invention. These Americans are now liberated from the bureaucratic straitjackets they thought they had to wear. They can now fulfill their creative dreams and find their inner entrepreneurs. All they needed was a good kick in the pants.

    But this upbeat interpretation doesn’t include lots of people who don’t particularly relish becoming their own employers, like an acquaintance whom I’ll call George. George was an associate partner at one of the world’s largest technology and consulting firms until he lost his job last year in a wave of layoffs. For months, George knocked on doors but got nowhere because of the deep recession.

    But this upbeat interpretation doesn’t include lots of people who don’t particularly relish becoming their own employers, like an acquaintance whom I’ll call George. George was an associate partner at one of the world’s largest technology and consulting firms until he lost his job last year in a wave of layoffs. For months, George knocked on doors but got nowhere because of the deep recession.

    Finally, his old firm got some new projects that required George’s skills. But it didn’t hire George back. Instead, it brought him back through a “contingent workforce company,” essentially a temp agency, that’s now contracting with George to do the work. In return, the agency is taking a chunk of George’s hourly rate.

    Technically, George is his own boss. But he’s doing exactly what he did before for less money, and he gets no benefits — no health care, no 401(k) match, no sick leave, no paid vacation. Worse still, his income and hours are unpredictable even though his monthly bills still arrive with frightening regularity.

    The nation’s official rate of unemployment does not include George, nor anyone in this new wave of involuntary entrepreneurship. Yet to think of them as the innovative owners of startup businesses misses one of the most significant changes to have occurred in the American work force in many decades.”

    In addition to more realistic depictions of this frequently “involuntary entrepreneurship,” I’d like to see more research on how seniors’ are underwriting their start-ups. Are they, for example,  throwing all their savings and what crumbs might remain in their 401-K retirement accounts into these ventures? Is this, as Anita Campbell pointed out, a wise move? Young entrepreneurs have many more years to recoup those funds should the new enterprise fail.

    In that regard, it would also be valuable to see some data on Senior “Entrepreneurs” success rates. How do Seniors compete with the more tech savvy, viral-marketing-driven young entrepreneurs? Robert Jones, asks in his SmartBrief on Entrepreneurs nugget, “Are older entrepreneurs at a competitive disadvantage in a world of social media and digital communication?”

    Jeff Wuorio, makes a start at answering some of these questions with his four tips in The Older Entrepreneur’s Guide to Success, but clearly – there are a lot more questions to be answered before we revel in the “Senior Entrepreneur” phenomena.

    Popularity: unranked [?]

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